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Marvellous photos Iain. I love the lighting in image 4.Istanbul - Day 5 - The Blue Mosque
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Picture 1 -
Actually correctly called the Sultan Ahmed mosque- after Ahmed the first, who commissioned its construction - most people call it the Blue mosque because of the colour scheme of the decoration, you're going to have to take my word for this. It was completed in 1616 - late for a mosque firmly of the Ottoman classical tradition. Perhaps no great surprise - the guy in charge of design and construction, Mehmed Aga, was trained by Sinan. The greatest of Ottoman mosque architects. If you are keen eyed you might be thinking - is that an Egyptian obelisk in the foreground? That's exactly what it is. The open ground in front of the mosque was the site of Constantine's hippodrome. They put various interesting things brought - well stolen - from around the empire and laid them along the 'spina' - the central line of the track. It was made in roughly 1500 bce near Aswan. Constantine originally sent one to Rome - where it still is - and one to Alexandria. It was Theodesius who moved it to its present site around 400 ce - amusingly enough they broke it in transit, it's shorter than it was originally. Finally - the building has six minarets. No great problem you would of thought - but at the time so did the Grand mosque in Mecca. To emulate that would be seen as - at best - hubris, if not down right impiety. When this was pointed out to Ahmed - he came up with a genius solution - we'll pay for a seventh in Mecca. Seven there are to this day.
Picture 2 -
The main prayer hall - it's difficult to show the sense of space created and the exquisite use of light built in by the architect.The men in the far ground are doing optional prayers. Non muslims are not allowed in during the five mandatory attendances for salah each day. Fair enough.
Picture 3 -
Roof detail. As is commonly understood, Islam generally doesn't do figurative art - but this has been slightly deviated from here - the hand-painted Iznik tiles go from strictly geometrical and abstract to feature vegetal and fruit patterns. Iznik tiles were considered the finest in the Ottoman world for decorating mosques - the Greeks used to call the place Nicaea, a lovely irony if you know your early church history.
Picture 4 -
Man at prayer, it's this sort of picture that reminds me of why I still use rangefinder film cameras. They are not far off silent in operation. I would have been horrified if I had upset him in his devotional duties but I needed a figure to anchor the picture. Try it yourself, put your thumb over the guy and see what happens to the composition - it falls apart. Leicas - I also use modern Voigtlanders - are discrete and intimate when taking pictures in this sort of situation. Few other types of camera allow this.
If you have got this far - thank you for looking and reading. Don't worry, the end is in sight. Tomorrow will be the last post in this thread by me. Anybody else is welcome to add to it. cheers - I.
@Floid_Maniac @William Dobson @Rufus
Goes to show that religion ultimately divides rather than unifies.Non muslims are not allowed in during the five mandatory attendances for salah each day.
The birth place of the Universal church. How many Christian sects are there now?the Greeks used to call the place Nicaea, a lovely irony if you know your early church history.
Marvellous photos Iain. I love the lighting in image 4.
Digimonkey, you've captured the essence of Istanbul extraordinarily well. I think black and white really adds texture to the subjects. My wife and I spent a week in Istanbul 4 years ago and we were staggered by the city. I had spent a lot of time in Cairo working and before I visited Istanbul I Was nervous that it would be much like Cairo; how wrong, and relieved, I was. Istanbul is a stunning city both architecturally and in its people. We also developed a fondness for Ottoman food.
I have dabbled with photography. When I travelled around Turkey I had a second hand Pracktica MTL3 and I thought I had captured some good images. But on returning to the UK and comparing photos with my then girlfriend, I realised that I just wasn't 'seeing' in the way she was. My photos were your standard tourist shots. Her photos somehow captured the essence of Turkey and it's people. I admire that ability. While I spent 5 minutes trying to decide which F stop or shutter speed to use, she had taken 4 or 5 shots instinctively. So I suppose what I am saying is...you have a remarkable skill Iain. You make capturing astounding images sound easy. It isn't. Your other remarkable skill is self deprecation.Thank you Barry - it's not hard - you just stand in front of it and take its picture. The work is done for you. It might sound absurd to say so but the best part - if not all of it - of a decent picture is to be there and see it. yours - I.
@Barry Giddens
I have dabbled with photography. When I travelled around Turkey I had a second hand Pracktica MTL3 and I thought I had captured some good images. But on returning to the UK and comparing photos with my then girlfriend, I realised that I just wasn't 'seeing' in the way she was. My photos were your standard tourist shots. Her photos somehow captured the essence of Turkey and it's people. I admire that ability. While I spent 5 minutes trying to decide which F stop or shutter speed to use, she had taken 4 or 5 shots instinctively. So I suppose what I am saying is...you have a remarkable skill Iain. You make capturing astounding images sound easy. It isn't. Your other remarkable skill is self deprecation.
A second hand MTL3 was all I could afford at the time! Actually, it's probably all I can afford now since discovering this forum. I do understand your point Iain. But I wouldn't ever get beyond the point of technical proficiency. I might see, but not observe. Visually speaking at least. I tend to reflect and my natural response is to write rather than make images. Even if I were to try to make images from any reflections they would be entirely derivative. So I would rather admire the skill of others.The more you practise the easier it gets. Trust me. It's inherent in all of us. I take your point though - I have learned how to make pictures over the years that will be attractive to the viewer. There are certain ratios and situations that are hard wired into every human brain. More importantly the pictures that sell and pay for me to do the depressing, self obsessed black and white pish. The sort of stuff you are seeing. We can all do it. I say again - it's not hard. Do you know your Sherlock Holmes? Watson - people see but they do not observe. That's the trick. You need to observe and - I would have to say - put something of yourself into the picture. Intellectually - not actually. Oh - and get a decent camera! Yours - I.
God is in the details. Great stuff.
Istanbul Day 6 - a mixed bag to end the thread
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Picture 1 -
The resurrection panel on the roof of the church of the 'Holy Saviour in Chora.' The church probably has the best surviving Byzantine mosaics today in the city. The building was founded in the 4th c. but had to be rebuilt after an earthquake in the 12th c. - the decorations are mid 14th c. Again we have Muslims to thank for their survival. They just plastered over them when it was converted into a mosque. The church is in a western suburb of Istanbul - well off the normal tourist radar. It was highly enjoyable finding it. You get a tram to the end of the line and then follow the Theodosian wall until you get to the correct gate and then plunge into the suburbs of Istanbul. A world apart from tourist Istanbul. Great fun. The word at the top of the picture translates as 'anastasis' - literally, against death, but better understood as resurrection - the figures emerging from their tombs are Adam and Eve. Judgement day.
Picture 2 -
Again - Saint Saviour in Chora - @Blademonkey - the hand gestures of the Christos are important in Orthodox art - in this case they mean 'the land of the living' - I think best interpreted as eternally living. They are a bit rubbish though? There must be a reason for this? Maybe, it's like Egyptian hieroglyphs and their depiction of feet?
Picture 3 -
Shot through the window of a coffee shop in the European quarter - I don't know why I like this picture so much. It looks timeless?
Picture 4 -
Let's end on a personal note. That's my wife with her new best friend. In the precincts of the Hagia Sophia. Istanbul is thick with stray - if not - feral cats. I had never seen this before - she hates cats but this guy made it under the radar. I can still hear him purring. It didn't stop her bitching about the amount of cat hair on her - expensive - Spanish jacket during dinner.
If you have come this far on this thread, thank you. I'm grateful you craved my indulgence. It's been an interesting experience for me. Looking back over archive pictures I had entirely forgotten about.
Thank you again - I hope you enjoyed the pictures - cheers - I.
@Floid_Maniac @Rufus @William Dobson @Boru62 @Helveticum
Thanks @Digimonkey, a thoroughly enjoyable and educational thread, I'm sorry it's over.Istanbul Day 6 - a mixed bag to end the thread
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Picture 1 -
The resurrection panel on the roof of the church of the 'Holy Saviour in Chora.' The church probably has the best surviving Byzantine mosaics today in the city. The building was founded in the 4th c. but had to be rebuilt after an earthquake in the 12th c. - the decorations are mid 14th c. Again we have Muslims to thank for their survival. They just plastered over them when it was converted into a mosque. The church is in a western suburb of Istanbul - well off the normal tourist radar. It was highly enjoyable finding it. You get a tram to the end of the line and then follow the Theodosian wall until you get to the correct gate and then plunge into the suburbs of Istanbul. A world apart from tourist Istanbul. Great fun. The word at the top of the picture translates as 'anastasis' - literally, against death, but better understood as resurrection - the figures emerging from their tombs are Adam and Eve. Judgement day.
Picture 2 -
Again - Saint Saviour in Chora - @Blademonkey - the hand gestures of the Christos are important in Orthodox art - in this case they mean 'the land of the living' - I think best interpreted as eternally living. They are a bit rubbish though? There must be a reason for this? Maybe, it's like Egyptian hieroglyphs and their depiction of feet?
Picture 3 -
Shot through the window of a coffee shop in the European quarter - I don't know why I like this picture so much. It looks timeless?
Picture 4 -
Let's end on a personal note. That's my wife with her new best friend. In the precincts of the Hagia Sophia. Istanbul is thick with stray - if not - feral cats. I had never seen this before - she hates cats but this guy made it under the radar. I can still hear him purring. It didn't stop her bitching about the amount of cat hair on her - expensive - Spanish jacket during dinner.
If you have come this far on this thread, thank you. I'm grateful you craved my indulgence. It's been an interesting experience for me. Looking back over archive pictures I had entirely forgotten about.
Thank you again - I hope you enjoyed the pictures - cheers - I.
@Floid_Maniac @Rufus @William Dobson @Boru62 @Helveticum
Could not say it in better words. Thank you @Digimonkey for that great Istanbul thread.Thanks @Digimonkey, a thoroughly enjoyable and educational thread, I'm sorry it's over.
Let me echo this and thank you again, Digimonkey.Thanks @Digimonkey, a thoroughly enjoyable and educational thread, I'm sorry it's over.
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