B - no to be honest It didn't until editing the film. I obviously liked it enough to take its picture - I think the shape initially and the fact it seemed to be framed already for you. When I get my film back from the lab - the negatives are in sheets and there is a cd with scans. I start with looking at the negs on a light-box with a lupe. Upside down. This may sound odd but it's a technique I first heard mentioned by HCB. It really works if you are editing your own pictures - it breaks the link from what you saw at the time and allows you to neutrally - or as much as possible - look at the merits of composition, movement or shape - whatever. I'll attach an example. So - I have to admit that I - literally and figuratively - failed to see the elephant in the room. Haha haha.
View attachment 29332
Madrid - Have a look at this picture for a bit and then turn it through 180 degrees and look again. You'll see what I mean about looking at your negs upside down. It's a completely different picture. Yours - I.
@Helveticum